There is also a huge number of piano brand names. This listing contains hundreds of pianos in it's long history of manufacturing. Many piano company names on this list are no longer used and the makers in some cases have been out of business for years.
Hamilton, professor and resident senior fellow in the Program for Research on Religion at the University of Pennsylvania, comments on Pope Francis’s call for the Catholic bishops to Rome to discuss the clergy sex abuse crisis.
Autopiano serial number Autopiano serial number With no hiccups or bugs in our tests, the app didn't slow down the sharing process. It is The Autopiano Co and the serial number is 16664.
There are times when your piano or number is not listed. We can help you find the year your piano was made. If you are unable to find the serial number piano we can research it for you or provide you with an approximate age with a photo.
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The Autopiano Company built exceptionally well made player pianos in the early 20th Century. Established in New York in 1903, The Autopiano Company also built the brand names Pianista and Symphotone in their additional player piano lines.
'Ages and Historical Records of Pianos sold in America' Part I
If your are looking for piano history or genealogy help, then this is the place for you. Please note that this is a working list and not all data is complete. Therefore, use this list as a starting point, and not as a final source. Our information is intended for use in public libraries and educational institutions.
Ackerman & Lowe
Acoustigrand
Acrosonic
Aeolian
Aeriola
Adams
Adapto
Adler
Ahlstrom
Albert
Albrecht
Alexander
Aldrich
Altoona
American
Amerling
Ampico
Ampichron
Anderson
Angelus
Apartment Grand
Apollo
Arirang
Archer
Argyle
Aria Davina
Arlington
Armstrong
Artemis
Artist
Artisan
Artone
Art-o-tone
Ashton
Astin-Weight
Astor
Autopiano
Autopiano-Welte-Mignon
Autotone
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ACKERMAN & LOWE 1907 - 1933
Pianos and player pianos bearing this name were made in Marion Ohio from 1907 to 1927, after that date they were made by Jesse French and Kasselman at Newcastle, Indiana. These pianos were reliable but would require the instrument be in exceptional condition or have great sentimental value in order to warrant rebuilding.
Pianos of admirable character were built by Chickering Brothers of Chicago Illinois. Company was not affiliated with the CHICKERING & SONS' piano company.
Piano values will vary with age, type of wood, style and condition.
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ACROSONIC 1936 - 2009
This distinctive and exclusive name designates a line of spinet and console pianos built by the Baldwin Piano Company. Coined from the Greek word,'akros,' meaning supreme and the Latin word, 'sonus,' meaning tone, the trade mark 'Acrosonic' is registered in the United States Patent Office. Acrosonics are famous for their beautifully compact styling, their tonal clarity and power and Baldwin's exclusive Full-Blow Action.
This famous old industry was founded in 1908 by Peter Adler and was, after a long and honorable career, owned and controlled by his sons, who give personal attention to every department of the model factory and offices in Louisville Ky. The instruments produced were distinguished for their fine and durable qualities. The Studio Grand, an instrument of marked power and beauty was only five feet in length, and it has attained to great favor among discriminating classes of music lovers.
Pianos & Reed Organs of durable character. Adler Pianos were hand made, of solid wood such as Rosewood, Burled Walnut, Birds Eye Maple. Manufactured 500 such instruments a year. An Adler Piano is worth the effort to rebuild as a soon to be investment antique and example of hand made hierloom quality. Company also manufactured Loreto Organs and Southern Pianos. Disc. 1928
AEOLIAN/AEOLIAN - AMERICAN Est. 1903 - New York, N.Y.
The manufacturing facilities at East Rochester was comprised of a series of separate and individual factories planned so that manufacturing of the various instruments was carried on in an entirely individual and distinct manner, and by separate organizations, each under direction of men who had been associated with each respective make for many years, thus preserving, unimpaired, the individual and distinctive qualities of each piano. Combined they made a great and powerful contribution to the art of music, for each of the great instruments they produced will continue providing magnificent music for generations to come. Name brands built in East Rochester include Chickering & Sons, J & C Fischer, Wm. Knabe, Mason & Hamlin, and George Steck.
H. B. Tremaine was a business genius who brought about the commercial exploitation of the piano player on a big scale. Tremaine's father had built a successful small business making and cranked table-top-sized mechanical organs, a very popular item in homes in the late 1800's. He founded the 'Aeolian Organ and Music Company' around 1888; the firm achieved considerable success with larger instruments and organs. His son took over in 1899 and immediately set about to apply his own business acumen to the company's affairs. With the newly perfected 'Pianola,' he launched an aggressive advertising campaign which was entirely new to the stodgy piano business. With four page color advertisements (almost unheard of in that day) published in the popular magazines, he literally stunned the piano industry with the message that here, indeed, was the answer to everyone's prayer for music in the home! Tremaine and Pianola built an enormous business empire over the next thirty years. It wasn't long after the turn of the century that it was deemed desirable to 'miniaturize' the clumsy Pianola and other similar, instruments so that they could be built directly inside the pianos. Within a few short years, the push up'players disappeared from the scene. By this time everyone got into the act, and every piano maker so manufactured a player of some sort.
This name is known the world over in connection with musical instruments, It is applied to some of the various products of the Aeolian Company of New York which instruments of renown included the Duo Art Pianola, Weber Pianola, Steck Pianola, Wheelock Pianola, Stuyvesant Pianola, Steinway Duo Art Pianola, Stroud Pianola the Aeolian Orchestrelle and the Aeolian Pipe Organ; it also controlled the Meludee Music Co., Inc., and the Universal Music Co.
Piano lines controlled and manufactured by this Division listed alphabetically include Chickering & Sons, Wm. Knabe & Co., Mason & Hamlin and Weber. The manufacturing facilities at East Rochester consist of over 250,000 sq. ft. of space situated on over eight acres of land occupied and devoted exclusively to the manufacture of only pianos since 1906. Aeolian was one of America's largest producers of grand pianos. Instruments made by Aeolian American Division enjoyed an unquestioned reputation throughout the world
AEOLIAN - AMERICAN CORPORATION - Founded 1932
Aeolian - American was the consolidation of the American Piano Company, Aeolian Piano Company formerly Winter & Company, and Weber Piano Company. Factories were located at East Rochester N.Y., Worchester Ma. and Memphis, Tenn.
Aeolian probably produced more instruments than any other company in the U.S. Founded as Heller & Co. in 1899, later incorporated as Winter & Co. in 1903, the firm became affiliated with Sears Roebuck and Co. In 1941 William G. Heller, Henry R. Heller and associates acquired the Sears interest and devoted the production to defense work during World War II. Faith in the industry and the conviction that the piano industry needed someone to keep the venerable manufacturers in operation, Aeolian has acquired companies which would not otherwise have survived.
During 1960 the work force included only excellent craftsmen under the direction of people who had been associated with these fine makes for many years, thus preserving unimpaired the Individual and distinctive quality of each piano. The affiliation of the various houses that formed this large and powerful contributing force to the art of music, insures for each a wider scope for musical activity in that each of its units was of the highest quality in its grade, which had an extraordinary economy of production. This company's purchasing power contributed immeasurably to the integrity and value of instruments that were made in the various Divisions.
Aeolian Corporation, which in 1982 owned over 40 registered brand names, the product of merger and acquisitions over the years combining 16 domestic piano producers and the largest Canadian producer. Recognition was given by the trade to the various Aeolian lines is the best evidence that Aeolian Corporation pianos manufactured in Memphis and East Rochester, fulfilled every requirement in grands, studios, spinets, consoles and players in a variety of scales and finishes, as well as case designs. Aeolian produced not only the concert and beginners piano, but also for the artist and leisure time musician.
Although production ceased in 1982 and 1985 there are countless thousands of Aeolian -American pianos still in use throughout America, in private homes, schools, churches and rental fleets. They were not always the most expensive, and some of their designs were, while aesthetically correct they weren't always perfect, but they did and still do provide students with the perfect entry level piano ever made at a price that most families could afford.
A B Chase
Gabler
Musette
Aeolian
Haines & Co.
Normandie
Armstrong
Haines Bros.
Pease
Bent, George P.
W.P. Haines
Pianette
Bradbury
Hallet & Davis
Pianola
Brewster
Hardman
Poole
D.S. Buchanan
Heller & Company
Primatone
Cable
Holmer & Sons
Restonic
Cable, Fayette S.
Holmes & Co.
Rudolph
Carola
Huntington
Schneider,
Chickering
Ivers & Pond
Schiller
Conover - Cable
Kingsbury
George Steck
Cook, J.B.
Knabe
Sterling
Crown
Kranich & Bach
Sting
Duo - Art
Laffargue
Stratford
Elbridge
Lindeman
Stroud
Ellsworth
Marshall & Wendell
Stuyvesant
Emerson
Mason & Hamlin
Vose & Sons
Euphona
Mehlin & Sons
R. W. Waude,
J & C. Fischer
Melodigrand
Weber
Foster - Armstrong
Mendelssohn
Wheelock
Franklin
Henry F. Miller
Wellington
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See individual names for numbers not listed.
Aeolian distinguished itself as a piano maker, not merely an assembler. Aeolian plants produced pianos that were quality assured, one of the reasons that over the years many of the largest school systems in the United States have selected their pianos exclusively. In addition, broadcasting stations, colleges, music schools, universities, operas, and symphonies have countless Aeolian pianos in constant service, this was during the time that American Institutions purchased pianos on limited budgets, not as commercial endorsements or University and College Piano Sale locations.
Piano values will vary with age, type of wood, style and condition.
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ADAPTO - Circa 1850 - 1983
The name of a pIayer-piano action attachment applied to any upright piano. This attachment could be used as a mute, or insome cases rivets & tacks were added to make a rinky-tink like sound. Created and manufactured by the Lodenberg Piano Co., of Columbus. Ohio. (Used by most player piano companies.)
Piano values will vary with age, type of wood, style and condition.
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AHLSTROM PIANO COMPANY
Established by Mr. C.A. Ahlstrom, who was a noted piano expert of the era and whose ideas aided in the development of the Piano Industry. The Ahlstrom 'ARTONE' piano was marked by several improvements, such as the non-blocking Action and a device for dividing tone volume, which enabled the production of a sustained pianissimo tone in the bass for the accompaniment, with the normal tone in the treble for melody. This device is used today by virtually every piano maker in the world as the left pedal on every vertical piano manufactured.
The 'ARTONE' name was used to designate the special characteristics of Ahlstrom Pianos because of their highly perfected construction and artistic tone. An Ahlstrom 'ARTONE' Upright piano may be worthy of rebuilding. One of the few upright-vertical pianos in the world worth the time and investment to do so. This also applies to the Player-Pianos known as the 'ARTONOLO,' and the Ahlstrom grands known as the 'ART-GRAND' and 'ART- REPRODUCING' Grand Expression - Reproducing Player Pianos - Not just a player piano but a player piano that plays with the exact amount of loud and soft expression by the artist. All 'ART-REPRODUCING' Pianos are collectors items that command very high prices.
Piano values will vary with age, type of wood, style and condition.
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ALBERT
Pianos bearing this name have an enviable reputation for superior workmanship, materials, tone qualities, beautiful case designs and customer satisfaction. This was one of the established piano houses that always strived to see how perfectly they could construct each piano. Each instrument was carefully inspected by Mr. Daniel Albert musician extraordinary, and expert piano builder wherever and whenever he was available. Pianos worth rebuilding.
Piano values will vary with age, type of wood, style and condition.
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Albrecht pianos were one of the first pianos made in America. Established in 1774 By Charles Albrecht of Philadelphia Pennsylvania. A little known historical fact is that an Albrecht Piano was located in Independence Hall on the day the declaration of Independence was signed. The first Albrecht Piano can be viewed at the Historical Society of Pennsylvania in Philadelphia.
Piano values will vary with age, type of wood, style and condition.
Piano values will vary with age, type of wood, style and condition.
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House's name of pianos sold by Sherman Clay, San Francisco, California, the unchallenged leader in music the same company that provided music to the entire west coast of America. Pianos were always of excellent and durable quality.
Established in 1837, Built the better quality pianos in the 1920s, all well-built with a good solid tone. Style of frame found in uprights very similar to that used by Grotrian-Steinweg. Company taken over by Chappell.
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ALLMENDINGER
Established in 1902, Grand pianos were distinguished for their beautiful tone, their handsome and distinctive designs, their exquisite craftsmanship and great durability. Grand pianos were made one-at-a-time with the finest raw materials available. Some instruments were made under the name of long time piano maker B.G. Henderson.
1902-1000 1905-2000 1910-3000 1914-3900
Piano values will vary with age, type of wood, style and condition.
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Well known A Pennsylvania brand name throughout the Middle Eastern States.
Piano values will vary with age, type of wood, style and condition.
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AMERICAN PIANO COMPANY
This company was created as a 'combine' of the finest pianos the world has ever seen. Company was established in 1903, later to become Aeolian-American. Subsidiary Companies Chickering & Sons, Boston, Mass., established 1823 Wm. Knabe & Co., Baltimore, Md., established 1837 Mason & Hamlin Co., Boston established 1854 Armstrong Co., Rochester, N. Y. which includes the following subsidiary companies Haines Bros., established 1851 Marshall & Wendell Piano Co., established 1835 Franklin Piano Co. established 1894; Foster & Co. established 1881; Armstrong Piano Co. established in 1884; Brewster Piano Co., established 1883; The Amphion Co., established 1903; also, East Rochester Iron Works and The Ampico Corporation.
The American Piano Company organized in 1903. The affiliation of the various houses forming it insured for each a wider scope for musical activity, and valuable advantages in securing the best the world markets afford in materials which enter into piano construction. The wisdom of this important affiliation of various interests with similar ideals is apparent to any student of modern business methods disclosing such affiliation to be the uniting factor in the success of every great American institution of equal importance however, was the preservation of the individuality of the great houses forming this company. This individuality was preserved with scrupulous care. The Chickering was still made in Boston, where it has been made continuously for nearly a hundred years, in the great factory built through the foresight and vision of Jonas Chickering. The Chickering organization and personnel directed its construction and preserved the high ideals of the founder. The Knabe made in Baltimore since 1837, was still constructed there with all the Knabe traditions in the hands of those who received their inspiration from the elder Knabe. In Rochester the Foster-Armstrong Company embraced in a series of factories in which the individuality of various pianos was preserved and directed by its separate organizations Haines Bros., Marshall & Wendell, Franklin, Foster, Armstrong and The American Piano Company also manufactured the Ampico, which was obtainable in several of the pianos made at its various divisions.
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AMERICAN PLAYER-PIANO
The American Player-Piano Co. was established in 1902. Many thousands of these instruments have been sold, and they give perfect satisfaction. The industry is controlled by Bjur Bros. Co. of New York, which has won a place of distinction in the musical world. A player of first-class quality and perfectly safe to purchase.
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This firm purchased an entire building located at 1307-17 Utica Ave., Brooklyn, N.Y., where complete modern factory facilities have been installed. On these premises are produced the Amerling line of fine console-grand, studio and grand pianos.
Amerling pianos are custom built with old world touch and new world technique. Amerling instruments are invested with a century of knowledge and tradition and bring to each owner a pride and prestige that only 100 years of experience and progress can produce in the specific art of pianoforte construction.
The Amerling line of console-grands includes such features as 'Direct Grand Blow Action' (produces richer tone and reduces wear and tear on action); 'Centertone Bridge' (transmits sound waves to grand crown soundboard without distortion); 'Grand Crown' (spruce tapered soundboard of finest quality as used in concert grands); 'Grand Locked Uniscale' (fortified, even balanced side to afford pure, even tone).Amerling pianos are available in French and Italian Provincial, Modern, Contemporary and Traditional designs, and are finished in a wide variety of attractive color-tones. Highly endorsed by leaders in radio, theatrical and television fields, Amerling pianos also enjoy fine acceptance among well-known decorators.
The ordinary player-piano has only one basic function, that of striking the notes. The reproducing piano added the ability to recreate the touch, the shadings, the nuances, of the original recording - all the expression characteristics, and making the difference between purely mechanical sounds and true artistry. The paper roll was obliged, therefore, to include extra perforations which carried the 'expression information' in coded form. These codes, which bear a resemblance to the language of modern computers, were either captured at the time of the initial recording or added later in an editing process. The reproducing piano was equipped with apparatus to 'read' these expression holes and to reconstruct the exact expression of a piece while other holes played the notes. Today, when we hear the words 'digitally enhanced,' we think of a highly-sophisticated disc electronic sound system replete with elaborate and costly loudspeakers, a magnificent cabinetry tailored to fit properly into one's home and all backed up by extensive marketing and advertising by numerous manufacturers.
One wonders how anything could possibly sound finer. Yet to many, the true ultimate in 'digital piano' occurred when the reproducing piano reigned supreme in its ability to re-create 'live' the performances of great keyboard artists right in the home.
The American Piano Company introduced its device to the market and called it the Ampico. It was based on the designs of an eccentric mechanical genius, one Charles Fuller Stoddard. Stoddard, whose home was a maze of newfangled contraptions of his own design, spent the last few years of his life entertaining the world's greatest piano virtuosos who would record on his unique Ampico recording piano. Ampico reproducing systems were eventually installed in such fine pianos as the Mason & Hamlin, the Knabe, the Chickering, the Beale in Australia, and the Willis in Canada.
In the mid-twenties, the Ampico Corporation engaged a scientist, Dr. Clarence Hickman, to completely re-engineer the Ampico reproducing system and roll making process. His work resulted in the so-called 'Model B' Ampico pianos which represented the highest possible standards of technology available at the time. Hickman developed the famous 'spark chronograph' method of capturing expression characteristics of individual pianists and today, the 'Model B' Ampico pianos are in great demand by collectors, and at prices that go right through the roof, $100,000 to $200,000 in mint condition.
Hickman recognized that the best way to measure expression is in terms of the energy imparted directly to the piano strings by the piano's hammers. He devised a scheme by which the velocity, and hence the energy, of each hammer could be measured just prior to hitting the string. This information was then directed to a recording device and the coded expression holes were adapted directly to the master production roll. Hickman was also a renowned expert on explosives, and he is responsible for the development of the tank-busting recoilless rifle, the 'bazooka,' which helped the United States secure victory in World War II. The bazooka is named after still another musical instrument, but that's another story.
The Ampico received the highest endorsement of artists and musical critics
Good quality vertical and grand pianos handmade in New Jersey and New York. Production about 500 pianos a year. Excellent rebuilt project. The Angelus reproducing piano made and distributed by the Premier Grand Piano Corp. was a fine piano. It reproduced the playing of the world's great pianists exactly true to life. These remarkable results are due to the employment of the famous Angelus recording and expression devices.
Name applied to a small 4' 7' grand piano equipped with an electric candelabra. Built for small apartments, very popular in the Chicago and Mid West United States. Circa 1920 - 1933. By Lyon & Healy Chicago Ill.
Piano values will vary with age, type of wood, style and condition.
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APOLLO
Established as Clark 1901-. The trademark 'Apollo' was one of the best known and most widely advertised names in the world. The Apollo reproducing system was created and manufactured by Welte, with values similar to the Ampico collection. Welte piano rolls contain many of the worlds greatest artists and composers of the time. by Wurlitzer DeKalb Ill.
The trade-mark 'Apollo' is one of the best known and most widely advertised names in the piano trade, both in this and foreign countries, in many of which the trade mark has been registered and a large business established The name was first used by Melville Clark Piano Co of De Kaib, Illinois The name Apollo has been for some years past the name of a very high grade line of grand pianos and reproducing grand pianos manufactured by The Apollo Piano Company. The name is now known principally as a brand of a reproducing mechanism of the highest order of perfection. This mechanism possesses many exclusive features and iii this field is unexcelled. The Apollo has a large and constantly growing library of rolls containing the names of the world ' greatest composers and pianists, the nucleus of which is the famous Welte library to which most of the worlds leading musicians have contributed. The Apollo mechanism is found only in Wurlitzer and Apollo pianos.
Founded by the Daewoo corporation of Seoul, Korea, in 1976. Arirang pianos are manufactured using only the highest quality materials gathered from all four corners of the world. Four Grand Piano Models and Four Uprights make up the Hyundai Arirang line. A variety of polyester and lacquer give the Arirang line added versatility.
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ARCHER PIANO CO.
549 W.42nd Street New York, Est. 1906, Company sold to Braumuller in 1921, Trade Mark Braumuller, also made Baumeister. Produced 60,000 pianos in 15 years. These pianos are worthy of restoration. Grand pianos were distinguished for their beautiful tone, their handsome and distinctive designs, their exquisite craftsmanship.
This name now familiar as applied to pianos is that of the M.Schulz Co. reproducing piano. The Aria Divinas were artistic instruments in every way from case designs to tone and accuracy with which the performances of great pianists are reproduced with perfect ease by the performer. The Aria Divina is an instrument of artistic character in which are features of notable achievement. In everything that was advanced in the latest development of the instruments by which the actual performances of the world's greatest pianists were instantly reproduced in any parlor the Aria Divina stood.
Was made by the Armstrong Piano Company factory located in Rochester, N. Y. The quality of the Armstrong was best described by the company's slogan, 'Sound in Body and Musical in Soul.' The Armstrong was noted for refinement of case design, great durability and beautiful tone quality. The Armstrong player-pianos were among the most widely known of the reliable instruments on the market. Armstrong pianos had been used in the Rochester Public Schools with practical exclusiveness for many years. The name of this instrument was that of a prominent officer of the American Piano Co., a gentleman of long experience in the piano industry and personally one of the foremost influences in the line of work to which he is devoted.
This was the name applied by the Steger & Sons Piano Mfg. Company of Chicago and Steger, Illinois, to a line of pianos and player pianos of high character produced by the Artemis Division of that industry. The instruments were very reliable. They were noted for beautiful tone and admirable designs. The construction of Artemis pianos and player pianos was thoroughly dependable. The popularity of the Artemis line of pianos had made it a national institution. The success as popular, moderate priced instruments had been achieved on the basis of merit. Considerations such as overall condition should be made before investing in a complete rebuild unless there is sentimental value involved.
This name was employed by Ahlstrom Piano Co., of Jamestown, N.Y. to designate the special characteristics of the Ahlstrom pianos, because of their highly perfected construction and artistic tone. The makers considered them a classic among pianos and therefore featured as the Ahlstrom 'ARTONE' pianos, the players being known as the 'Artonolo' and the grands as 'Arto-Grand' and 'Art Reproducing,' these names being derivatives of 'ARTONE.'
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ART-O-TONE
This is the distinguishing name adopted by the Schumann Piano Co. of Rockford, Ill., The Art O Tone was first introduced at the annual convention of the piano trades in Chicago.
Astin - Weight makes two sizes of uprights: a 41' console in several styles and finishes, and a 50' upright in walnut, and in 1981, a 5'9' grand, with a soundboard area equivalent to that of an eight-foot grand. The latest addition to the Astin-Weight range is the most unusually shaped grand made in America. By changing the shape, the company has found a way to increase soundboard area by about 45% in vibrating area. The Bass strings on this piano are about 18' longer than ordinary 5'9' grand bass strings, and the resulting tone quality, for a piano this size, is phenomenal.
Astin Weights is very different from that of any other piano made anywhere else in the world. In fact, the company claims to make 'America's most unique pianos.' Backs of ordinary pianos have several wooden posts for strengthening the overafl string structure; Astin-Weights have no posts in back. Instead of a corn-bination of wood and metal to hold the 20 tons of string tension, Astir-Weights have a massive four-corner iron plate that is designed to take the stress of the strings without wooden posts, resulting in greater tuning stability for the instru-ments. This innovation, however, was not original with Astin-Weight: many Euro-pean upright pianos have had similar construction for over 40 years.
The really important innovation in Astin-Weights is the soundboard construction. Console-size pianos have never had any real tonal depth. The soundboards in small pianos have always been too small to transmit the lower frenuencies of sound. particularly in the bass. A fair generalization, one might say 'the bigger the soundboard, the richer the sound.' Astin-Weight console, the size of the soundboard was increases so that its surface area is roughly equivalent to the soundboards of the 54' upright pianos, resulting in a very real improvement over conventionally designed consoles. In fact, the performance of these pianos is superior to most home-size grands. The 50' upright has the same type of design difference as the smaller pianos have. A very massive iron plate and a soundboard as large as that of a semi-concert grand, actual square inch measurement. (To do this by conventional means, an upright would have to be at least 60' tall.) The resulting overall tonality is one that has not been heard in uprights for 50 years. There is no question about this perfor-mance being superior to that of other uprights.
The only question is, how superior? In the center of the keyboard, the tone is rich and full. In the bass, there is unprecented depth, and the upper treble is strong and clear. The UG-50 is fitted with Pratt-Read's finest upright action, affording maximum performance; the ac-tion is beautifully regulated for the fullest control and has that delight of the accomplished pianist, a full sostenuto. All Astin-Weights are made in the Utah mountain climate, and wood is kiln-and-air-dried down to a moisture content lower than that of pianos made in damper climates. This ensures both tuning and tonal stability over a long life expectancy.
This company was owned and controlled by the Bacon Piano Co., New York City, of which Mr. W. P. H. Bacon was president. This piano manufacturing concern was named in honor of John Jacob Astor, who founded the Bacon Piano Company in the year 1789. The Astor Piano Co. produced uprights and player-piano instruments that were notable for their beautiful resonant tone and handsome and distinctive case designs. The Astor Piano was renown for it's quality and workmanship. The Astor Piano is an excellent instrument to consider rebuilding.
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AUGUST FORSTER
August Förster moved to Löbau and studied the fundamental principles of piano making with Mr. Hieke and Karl August Eule. In 1854, August Förster passed his exam as a piano maker. After years of work in different towns, full of good ideas he returned to his home in the region of the Oberlausitz. On April 1st, 1859, August Förster established a small workshop in Löbau, where he made his first piano. 1862 he established the first factory building in the suburbs of the town in today's Jahn street. This factory has been developed into a modern plant during the last decades. August Förster died in 1897 and his son Cäsar Förster took over the management of the factory. After the early death of Cäsar Förster in 1915 his two sons, the ingenious piano maker Gerhard Förster and the businessman Manfred Förster continued the company founded by their grandfather. Revolutionary constructions like the quarter-tone grand piano and the elektro cord were created before the Second World War.
One of the strongest and most enterprising of the American player- piano industries. The success of this factory had been such that the factory floor space embraced more than 300,000 square feet with an annual capacity of 10,000 player pianos. The Autopiano Company had for years exported its popular product to sections of the world, and the Autopiano was notable for its remarkable expression capabilities and staunch durability. It resisted the climatic extremes of the Arctic regions and the tropical zone equally well.
Being manufactured by player-piano specialists, in large factories devoted exclusively to the manufacture of player-pianos, and having an expert knowledge of the exact requirements of the foreign trade, were all leading reasons why the Autopiano Company proposition was unusually attractive and appealing. The Autopiano line embraced a comprehensive assortment of prices and styles, including upright players, reproducing pianos and grand player-pianos. This company manufactured the Autopiano, the Autopiano Electric Expression, the Autopiano Grand, the Autopiano Welte-Mignon (licensed), the Autopiano Welte-Mignon (licensee) Grand, and the Pianist Player-piano.
It was said that there were twice as many Autopiano's in use as any other player piano. The Autopiano was a thoroughly high grade piano, containing a player mechanism of marvelous attainments in which a great number of patented devices that make possible interpretation of the highest order on the Autopiano. The Autopiano received the highest awards at the following expositions: Grand Highest Award, Alaska-Yukon-Pacific Exhibition, 1909; Grand Prix, Rotterdam, Holland, International Musical Exhibition, 1909; Gold Medal, Manchester, England, Industrial Exhibition, 1910; Gold Medal. Manchester Coronation Exhibition, 1911; Highest Award, Appalachian Exposition, Knoxville, Tenn., 1911; Gold Medal, Second Insular Fair, Porto Rico, 1911; Festival of Empire, London, England, 1911; Grand Prix, International Exposition, Petrograd, Russia, 1911; Grand Premix, International Exposition, Turn Italy, 1911; Gold Medal, International Exhibition, Leeds, England, ibis; Grand Prix and Diploma of Honor, Anglo-American Exhibition at London, England, in 1914; and the Gold Medal and Diploma of Honor, International Exposition at Lyons, France 1914. The State Commissioners of more than twenty States officially selected the Ethiopian for they're, respective State Buildings at the Panama-Pacific International Exposition, San Francisco, Ca. , 1915. The New Mexico and Washington State Buildings of the Panama-California Exposition, San Diego, Cal. 1915, also officially selected the Autopiano. In addition to this practically universal selection at these last two named exposition. , The Autopiano received at the San Francisco Panama-Pacific International Exposition the following awards: (1) The medal of Honor; (2) Gold Medal; (S) Silver Medal.
The Autopiano was also an official purveyor to the royal families of Japan and is in the palaces of Prince Shidlnadya and Prince ITO; they also enjoy this distinction in Korea where Prince Ye of the reigning dynasty had an Autopiano in his palace. Puccini used an Autopiano, and Victor Herbert the composer expressed his appreciation of this instrument.
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AUTOPIANO - WELTE- MIGNON
As a player, using any eighty-eight note music roll, it was the Autopiano itself, electrically pumped. As a reproducing piano using the Welte-Mignon reproducing record, it presented the exact 'tonal portrait' of the artist. Every gradation of tone, every change of the tempo, every dynamic modification was unerringly reproduced. The world's master pianists, most eminent composers recorded their art for the Welte-Mignon Model of The Autopiano.
This company of distinguished musicians includes Paderewski, Hofmann, Busoni, dePachmann. D'Albert, Lhevinne. Bloomfield-Zeisler, Sauer, Gabrilowitsch, Scharwenka, Ganz, Schelling, Caireno, Spross, Grieg, R. Strauss, Samaroff, Epstein, Fryer, Mero, LaForge, Saint)Saens, Leschetizky, Debussy, Leoncavallo, Lamond, Nikisch, Humperdinck and many others, as well as all the late popular lists played by New York's finest jazz artists.
The remarkable effects produced by the Welt-Mignon Model of the Autopiano (licensed) were made possible by the use of the Auto de Luxe Welte-Mignon player mechanism (licensee). The faithful recording of the artist's performance are procured by a secret process. How carefully the secret is guarded is demonstrated by the fact that no other reproducing piano has been able to approximate the results achieved through the Welt-Mignon mechanism, using the Welt Artist reproducing records. This instrument has been submitted to various comparison tests of the severest nature. And in every instance has been triumphant. The Welte-Mignons Model of The Autopiano (licensee) was, therefore, a great achievement in a double sense, in that it had artistic possibilities, second to none.
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AUTOTONE
J. Stevens Arms Company Serial Numbers
A high class player-piano manufactured in the Autotone Department of Hardman, Peck & Co., New York City. The Autotone possesses a number of exclusive features. Among which are: The Accentors, which accomplishes the 'human touch' the ability to properly accent the melody; the 'loud' pedal, the Selector, enabling one to run through a roll quickly and silently until the special part one has selected to play is reached; the Transposing Adjustor. Enabling one to transpose any composition from its original key specially valuable in accompanying singers and which also insures perfect adjustment of the music roll should it ever be affected by climatic changes: and the graduating lever by means of which the amount of tone can be he regulated the same as by the soft pedal; the Repertoire, containing an inexhaustible wealth of music of every kind. Unless the name Autotone, (spelled exactly as it sounds) appears on the fall board, the instrument is not genuine. The Autotone is made with two (and only two) basic pianos)Hardman and Harrington. Unless the basic piano is one of these, the instrument is not an Autotone, The Autotone is not a combination of a player mechanism made in one factory and piano made by another concern. It is, on the contrary, a complete player-piano of, the highest class, every portion of which player action, piano action and entire piano itself being made in one factory under the personal supervision of the experts of Hardman, Peck & Co.